Seven Sequences [2021]

Digital album featuring 7 tracks produced between 2020 and 2021 with a Moog Model 15, a vintage ARP 2600 and a Eurorack modular synthesizer)

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Die Maschine spielt für uns [2018]

Digital album featuring 9 tracks produced between 2016 and 2018 with classic vintage and neo-analogue synthesizers (Moog Model 15, Minimoog D, Mos-Lab/SynthWerk/Oakley 5U modular, Eurorack modular)

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Sequentiam Agite [2016]

Digital album featuring 9tracks produced between 2016 and 2018 with classic vintage and neo-analogue synthesizers (Moog Model 15, Minimoog D, Mos-Lab/SynthWerk/Oakley 5U modular, Eurorack modular)

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WUR Klarismus [1989]

Ambients for an exhibition of swiss artists Daniel Maillet, Gianmario Togni and Marco Massimo Verzasconi, Museo Elisarion Minusio, 1990. Sequential Circuits Prophet 5, Roland System 100M, TMS modular (Serge clone). All tracks were improvised and recorded as one-takes on a Revox B77 reel-to-reel tape machine

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WUR Kn [1987]

Ambient electronics originally commissioned and produced for an art installation of swiss conceptual artist Franco Lafranca. Roland System 100M, analog sequencer, OSC Oscar, contact microphones, digital looper; recorded with a Tascam 234 Syncaset 4-track recorder

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Religion in Silence: improvvisazioni [1986]

Electronic / electroacoustic studio improvisations with Renato Tschabold. The Religion in Silence project was a sort of commercial spinoff of WUR during the winter 1986-1987. Roberto Raineri-Seith: Roland System 100M synthesizer, analog sequencer, OSC Oscar synthesizer, Oberheim DX drumcomputer; Renato Tschabold: processed acoustic guitar. Re-released in 2012 in memoriam Renato Tschabold [1965-1992]

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WUR Stahlruine [1985]

Industrial / electronic, originally released on tape (C26), distributed by ADN Records, Milano, and Calypso Now, Biel. Roland System 100M, analog sequencer, OSC Oscar, contact microphones, digital looper; recorded with a Tascam 234 Syncaset 4-track recorder

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